With the book’s phenomenal success, Saint-Exupéry’s illustrations have suffered, slowly losing their colour and vitality over thousands of printings. The commentary volume to the Folio edition includes these preliminary sketches and drawings, accompanied by a page-by-page description by Christine Nelson, curator of the recent celebrated exhibition of the collection at New York’s Morgan Library and Museum. In Schiff’s poetic words, the author and his prince would forever ’remain tangled together, twin innocents who fell from the sky’.īefore his doomed return to Europe, Saint-Exupéry left a working copy of the manuscript, including numerous illustrations not included in the first edition, with his friend Silvia Hamilton, in ’a rumpled paper bag’. A year after its publication, Saint-Exupéry took off on a mission over the Mediterranean and disappeared, his body never to be found. An allegory for the French defeat, a meditation on the singularity of love or a personal note from the author on his own flickering innocence and disenchantment with the adult world? The message spoken by The Little Prince will forever remain a mystery.
Yet, out of his despair, armed with a set of children’s watercolours and a typewriter, he created a story that was both a wide-eyed celebration of childhood adventure and a sombre, existential work of startling depth.
Anything essential is invisible to the eyesĪlready a best-selling French author and pioneering pilot, Saint-Exupéry wrote his most cherished work while in secluded, self-imposed exile in America after escaping the fall of France to the Germans in 1940.
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